Tony Maserati explores his hybrid mixing approach, combining in-the-box digital techniques with external analog summing. He uses auxes to create a flexible system, allowing mixes to be processed either digitally or through analog gear like a Neve sidecar or a Chandler mini mixer.
Maserati highlights the sonic benefits of analog summing, which often yields a fuller, wider, and more dynamic sound. He discusses collaborating with his assistant to assess whether analog processing enhances a mix, underscoring the importance of adaptability in achieving the desired audio quality.
While acknowledging the expertise of all-digital mixers like Tchad Blake, Maserati emphasizes the creative possibilities his hybrid setup offers. This approach allows for nuanced decisions about whether a mix benefits from analog warmth or remains purely digital.