Tokøta from Mastering.com walks through the full audio recording workflow in Logic Pro, from setting up an input to turning a rough take into a finished, punch-in-free performance.
Gain staging gets a clear target: aim for signal peaking between -10 and -20 dB, adjusting the gain dial on your interface until you land in that sweet spot before committing to a take.
Comping is demonstrated hands-on. Record multiple passes into a comp folder, color-code takes with Option-C, swipe through to pick the best sections, then flatten or export the active comp and join it into one clean file with Command-J.
Punching in lets you fix a flubbed section without re-recording the whole take, dropping a punch region over just the mistake and comping in the better performance.