Matt Peterson shows a workflow trick on the UAD Lexicon 224 for dialing in reverb on a synth: get the timing right first, then lock it in and swap tones freely.
Each program on the 224 comes with Lexicon's own preset settings, pulled straight from the original hardware, so switching programs also shifts the timing and decay.
Matt picks a small hall program and tweaks it to get a long tail he likes, then hits the Immediate button to lock that timing in place.
With timing locked, he cycles through other programs, plate, chamber, and more, so only the tone and character change. Plates thicken things up, chambers stay light and airy, all while the reverb length stays put.