MusicTechHelpGuy breaks down Logic Pro's Channel EQ, a parametric EQ that lets you control frequency, gain, and bandwidth independently instead of relying on fixed bands.
He walks through the interface: resetting to default settings, zooming the display, and turning on the built-in analyzer to see a real-time frequency graph of whatever you're soloing.
The core lesson covers three filter types. Peaking (bell) filters boost or cut a targeted frequency range, shelving filters push a boost or cut all the way to one end of the spectrum, useful for adding air or taming a harsh mic.
High-pass and low-pass filters round things out. A high-pass filter clears out low-end rumble and guttural noise from vocals and most recordings, while a low-pass filter cuts highs, handy for taming bright guitar amps or creating filter sweeps in electronic production.