MusicTechHelpGuy tackles a common acoustic guitar problem in Logic Pro's Channel EQ: that boxy, hollow tone many recordings pick up from the mic.
He cuts the low mids to clear out the boxiness, adds a touch of low-end back for warmth, then boosts the upper mids to bring out string percussiveness and strum detail.
He switches from a peaking cut to a gentle shelf for a smoother, more natural result, showing how bandwidth on a peaking filter can double as a slope control.
The same settings get copied to a second, doubled guitar track before repanning both left and right, showing how one EQ move can anchor a whole guitar pair in the mix.