Thomas Juth explores the idea of enhancing drum bleed using parallel compression and transient shaping tools, challenging the common practice of gating bleed on toms.
He highlights the use of the Waves TG12345 compressor in a parallel setup to add character and excitement, emphasizing how this can bring life back into drum recordings. Juth also suggests using tools like the SPL Transient Designer to shape attack and sustain, enhancing the acoustic environment.
This approach isn't limited to drums—it can apply to any live-recorded session where bleed contributes to the song's unique feel. Juth references early Beatles recordings, where bleed was an integral part of the sound, showing how it added energy and cohesion to the mix.
While this technique can be powerful, it's important to remember that there are situations where reducing bleed is necessary. Different genres may favor different approaches, so consider the context and don't default to a single method.