Take Lane comping isn't just for audio. This bit shows the same workflow applied to a MIDI performance, a Hammond organ improvisation in Ableton Live, proving you can build a composite take from your best MIDI phrases just as easily as with vocal or instrument recordings.
Record multiple passes of a MIDI part in a loop, then treat each pass like an audio take: audition sections, pick your favorite bits from different takes, and commit them into one clean final performance. If you've been recording every MIDI idea in one long pass and editing after the fact, this comping approach gives you a faster, more flexible way to land the best version of a part.