4 videos
@ 2:53
Mix with the Masters
Gain clarity with simple subtractive EQ
Jaycen Joshua demonstrates a simple yet effective approach to achieving clarity and openness in drum mixes using the FabFilter Pro-Q 3 EQ. He focuses on reducing excessive low-end energy in the drums by cutting frequencies around 1100 Hz and below. This prevents the drums from becoming too heavy and allows the upper harmonics to shine through. By removing some of the weight, Joshua achieves the desired separation and openness in the mix, ensuring that each element has its own space and clarity. This method highlights the importance of subtractive EQ to enhance the overall balance and definition of a track.
@ 1:35
Mix with the Masters
Add color with bus compression
Jaycen Joshua uses the UAD Shadow Hills Mastering Compressor to add color and excitement to his drum bus. He focuses on the compressor's ability to enhance the drums with harmonic saturation rather than heavy compression, keeping gain reduction minimal at a maximum of 1 dB. By "kissing" the compressor, Joshua achieves a rich, vibrant drum sound that maintains its dynamics while benefiting from the subtle coloration and character the Shadow Hills unit provides. This approach ensures the drums remain lively and engaging within the mix.
@ 2:09
Mix with the Masters
Reduce noise on the drum bus
Jaycen Joshua employs the Avid Dynamics III gate to manage noise on the drum bus. He sets the gate with a very low threshold, ensuring it remains inactive while the drums are playing, thus preserving the natural sound and dynamics. However, once the drums stop, the gate gradually closes with a one-second release, effectively reducing any noise floor caused by extensive compression and plugins. This technique is an easy way to maintain a clean mix, and can be applied to other instruments or effects returns to prevent unwanted noise from creeping into the mix during silent passages.
@ 3:48
Mix with the Masters
Mid-Side EQ for tighter low-end and better separation
Jaycen Joshua shows how to use Mid-Side EQ with the Brainworx bx_digital to achieve better separation and a tighter low-end in a drum mix. By reducing masking frequencies in the center channel, he creates space for the vocal, ensuring it sits comfortably in the mix. To help the drums maintain energy, he then adds some of these reduced frequencies back on the side channel. This effectively shifts energy from the center to the sides of the mix, creating a space for the vocal to thrive. He also advocates using the Mono Maker feature to center all low-end frequencies below 61Hz, enhancing the overall clarity and punch of the track's low-end.