Mix with the Masters
Get more detail with upward compression
Justice discuss their use of upward compression to enhance the detail and depth of a drum track. Unlike traditional downward compression, this technique works from the bottom up, raising subtle elements in the mix. The result is added movement and texture, as low-level details such as room sustain or reverb tails are brought forward without compromising the transient punch. While demonstrated here on drums, upward compression can be equally effective on other dynamic material such as percussion, vocals, or instruments with wide dynamic range, making them feel more alive and expressive.
HAND
Tempo manipulation basics - DIY tape delay
HAND delves into the basics of tempo manipulation using tape loops, focusing on adding character and movement to electronic drum rhythms. Utilizing the Uher Report 4000, HAND demonstrates how tape looping and delay can create more interesting and dynamic soundscapes. The segment includes an analysis of signal records and monitor output, particularly examining speed stacks and delays. The discussion highlights the practical aspects of delayed releases and tempo adjustments in music production, emphasizing the intersection of music quality and physics. For a deeper understanding, viewers are encouraged to watch the video for further insights.
Tape Notes Podcast
Layering kicks: From synthetic to organic drums
Guy Lawrence from Disclosure shares his approach to creating dynamic kick drum sounds by layering synthetic and acoustic elements. He uses the Credland BigKick plugin to synthesize the low-end, achieving anything from deep 808 booms to punchy 909-style kicks. By layering these synthesized kicks with acoustic kick samples or loops, Lawrence adds a more natural and organic feel to the electronic drums. This technique involves combining different layers, such as a knock, a pedal hit, and room noise, to create a fuller, more human-sounding groove. Lawrence emphasizes the importance of restraint in layering, especially in busy tracks, to maintain clarity and drive. This method allows the kick to sit well in the mix, providing a solid foundation without overwhelming other elements.