3 videos
@ 3:47
Mix with the Masters
Getting an initial mix quickly before going into detail
Andy Wallace shares his approach to getting an initial mix up quickly before diving into detailed adjustments. This initial phase usually takes around 3-4 hours, during which he aims to achieve a mix that sounds good to most listeners. He starts by familiarizing himself with the tracks and making notes on the song structure, which helps him understand the song's essence and focal point. Only after the mix is essentially in a good place does Wallace move into a more detailed fine-tuning process. This stage involves making subtle adjustments that may not be immediately noticeable but significantly enhance the overall mix. This meticulous attention to detail is where the final polish and nuanced elements of the mix come together.
Mix with the Masters
Finding out when a mix is finished
Andy Wallace shares his philosophy on determining when a mix is finished, emphasizing that there is no perfect mix. He believes that mixing is subjective and multiple versions of the same song can be valid. Wallace focuses on achieving clarity and definition in his mixes, creating a flexible framework that allows for adjustments without losing the mix's integrity. He values feedback from the artist and producer to ensure the mix reflects their vision. With most artists, Wallace aims to bring the mix to a point where it could be considered finished before presenting it and allowing for final tweaks based on the artist's and producer's input. In some situations, though, he will bring the artist in sooner to make sure the mix takes the right path.
Mix with the Masters
Dealing with mix feedback constructively
Andy Wallace emphasizes the importance of maintaining flexibility in a mix to accommodate client feedback while preserving the mix's integrity. He believes in respecting the artist's vision and encourages open communication, ensuring artists feel comfortable making suggestions. Wallace reassures clients that he will guide them if their requests might harm the mix, fostering a collaborative environment. However, he also sets boundaries, explaining that if an artist's vision diverges too far from his approach, it may be best for them to find another mixer. This philosophy ensures that both the artist and the mixer are satisfied with the final product.